Riverdance is produced and directed by husband and wife team John McColgan and Moya Doherty, controlled through their production company Abhann Productions, based in Dublin.

Riverdance was first performed during the 7-minute interval of the Eurovision Song Contest at the Point Theatre, Dublin on 30 April 1994. It received a standing ovation. Later that year, the BBC commissioned a repeat performance of the act for the 1994 Royal Variety Show, when it was introduced on stage by Sir Terry Wogan. At Congratulations: 50 Years of the Eurovision Song Contest it was named as one of the most popular interval acts in the history of the contest.

After successful runs in other cities in Europe, Riverdance travelled to New York City to perform at the legendary Radio City Music Hall in March 1996. This was the first time the show had been performed in America.

In 2000 the show moved to Broadway for a year at the Gershwin Theatre with an all-new show, featuring dance leads Pat Roddy and Eileen Martin and singers Brian Kennedy and Tsidii Le Loka. Now you can enjoy the Riverdance show at the Pantages Theater! Grab your tickets today!

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Riverdance Pantages Theater Tickets are available and in stock now. Riverdance Los Angeles Pantages Theater Tickets are available for the entire run the Riverdance Pantages Riverdance. The ending date for Riverdance at the Pantages theater is July 31 2005 and we have Riverdance Los Angeles Pantages Theater tickets in stock for all preformances.

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Riverdance The Musical information.
'Riverdance' Ten Years on'
By Clive Barnes

Did your mother come from Ireland? Or perhaps your second cousin twice removed by marriage? Whatever, as anyone who has ever been in New York on St. Patrick's Day will agree, there's something Irish about everyone, and it is that something which is sharply captured in 'Riverdance,' the spectacular dance Riverdance, where its very face is the map of Ireland. As everyone now knows 'Riverdance' started in Dublin in 1995, remarkably as a brilliantly conceived spin-off from a seven-minute intermission piece in the 1994 Eurovision Song Contest. It has danced a long way since then, developing into an international phenomenon, with troupes careening and criss-crossing the world; not so long ago there was even one 'Riverdance' company installed for well over a year in New York.

The concept of 'Riverdance is both simple and adroit. A Celtic-looking rock-like setting (actually it seems more Druidically Stonehenge than anything else) with highly colored projections to vary the look, a load of Irish music and a lot of Irish dancing. The huge popular success of the Riverdance derives in part from Moya Doherty's canny producing - all pieces are put together with breathtaking theatricality - and John McColgan's swift, deft staging, which works like a computer but still manages to pervade an unexpected but not unpleasant impression of homespun charm over-riding, or perhaps over-dancing, its awe-inspiring efficiency, and its sweet and sure ability to deliver on every promise, implicit and explicit, suggested by the very idea of an Irish dance spectacular.

For, yes, in the final count, you do indeed go to 'Riverdance' primarily for the Irish dancing, always the matrix of the Riverdance, and for Bill Whelan's wonderful score and the Irish musicians - who are indeed always splendid. Yet, there could well have been a snag here. The problem is that it is difficult to create and maintain a lively choreographic form out of Irish step dancing, which has a limited vocabulary, rigid arms, a stiff upper-body and an overall tendency towards exuberance rather than emotion. It is something like an Irish stew - awfully good in itself but as a constant diet it could get monotonous, which is why it was so smart to introduce into the mix Spanish flamenco and American tap dance, two dance forms with which the Irish steps have much in common, even to the extent of actual historic links.

I first saw 'Riverdance' in London, the year before its shattering entry into New York's Radio City Music Hall, and it was obvious to me that this was something fresh and new, and something moreover that America would take to its heart. It was a natural - given the Irish ethnic heritage rooted in the United States from sea to shining sea. Yet even I was surprised at the warmth of that first Radio City welcome. The audience roared. For myself I embraced the memory of my Irish grandfather, but it was just one of those New York nights when everyone's mother came from Ireland - or, at the very least, there was something in them Irish. You can purchase Riverdance Pantages Theater Tickets today.